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A Finance Reporter Who Invests in Readers’ Well-Being
  + stars: | 2024-03-13 | by ( Sarah Bahr | ) www.nytimes.com   time to read: +1 min
Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together. When Ron Lieber arrived at The Wall Street Journal’s office in 2002 for a job interview, a couple of editors immediately sized him up. “They said, ‘We know what your beat is: beating the system,’” said Mr. Lieber, who had last worked as a senior writer for Fast Company covering management, design and careers. “And now you’re going to come here and do that for us.”After cofounding the Personal Journal section of The Wall Street Journal and writing a separate money management column, he was hired by The New York Times in 2008 to take over Your Money, a personal finance column. Sixteen years later, he has gained a reputation for offering readers advice — often tinged with his own experience — on headache-inducing issues, like how to navigate the maze of paying for college or prepare for life after a layoff.
Persons: Ron Lieber, , , ’ ”, Lieber, Organizations: Fast Company, Street, The New York Times
How to Watch the Oscars: Date, Time and Streaming
  + stars: | 2024-03-08 | by ( Sarah Bahr | ) www.nytimes.com   time to read: +1 min
Watching the Oscars doesn’t usually require an instruction manual. One: Be in your preferred watching position — popcorn popped, possibly in a “Dune” bucket, Snuggie on — an hour earlier on Sunday. And two: When we say 7 p.m., we mean what-was-until-2-a.m.-on-Sunday 6 p.m., because — that’s right — daylight saving time is here once again. Don’t forget to set your clocks — if you still have clocks — forward an hour. You may have heard that “Oppenheimer,” with a pack-leading 13 nominations, is a lock to win best picture.
Persons: Ryan Gosling, “ I’m, Ken ” —, , Don’t, “ Oppenheimer Organizations: Academy of Motion Picture Arts, Sciences
On March 23, 2003, as the rest of the world watched televised images of captives and corpses identified as American soldiers, limos carrying high-fashion-clad celebrities rolled up outside what was then known as the Kodak Theater in Los Angeles. The United States had invaded Iraq just three days before, and, until that morning, there was still the possibility that the Oscars wouldn’t go on. As A-listers like Nicole Kidman, Halle Berry and Steve Martin — the host — were herded through metal detectors amid a large law enforcement presence, a few blocks away, police officers holding clubs faced off with demonstrators trying to get closer to the theater (none did). This year, another war is in the headlines as the Academy of Motion Picture Arts and Sciences mounts another Oscars. So far, almost no one has spoken out at precursor awards shows, but it was very different in 2003.
Persons: Nicole Kidman, Halle Berry, Steve Martin — Organizations: Kodak Theater, United, Academy of Motion Picture Arts, Sciences Locations: Los Angeles, United States, Iraq
“It will probably get dirty — maybe it wasn’t the best choice,” Ms. Love said at the time. Last year’s champagne carpet — the first time in more than six decades that the academy’s arrival rug was not red — was part of a trend of colorful carpets that have swept premieres, galas and award ceremonies across the country in recent years. See the Emmys (gray) and the world premiere of “Barbie” in Los Angeles in July (pink, obviously). Red carpets have been a staple at premieres and galas since 1922, when the showman Sid Grauman rolled one out for the 1922 premiere of “Robin Hood,” which starred Douglas Fairbanks, at the Egyptian Theater in Hollywood. The Oscars adopted it beginning with the 1961 ceremony, and, ever since, the special shade — known as Academy Red — has been instantly recognizable in photos.
Persons: , , Love, Ms, galas, “ Barbie ”, Sid Grauman, “ Robin Hood, Douglas Fairbanks, Organizations: Times Locations: Los Angeles, Hollywood
When the choreographer George Balanchine co-founded the School of American Ballet in New York City in 1934, the last thing on many people’s minds was dance. The United States was still digging out from the Great Depression and often children dropped out of school to work. But nonetheless, the 29-year-old Balanchine believed a dance school was crucial to establishing a professional ballet company — which would become New York City Ballet. Now, 90 years later, the school he opened with 32 students has exploded into the most prestigious academy for young dancers in the United States. Nearly 800 students from 34 states and 12 countries were enrolled at the school’s Lincoln Center campus in the most recent fiscal year, and graduates serve as artistic directors at more than 18 ballet programs around the country, including Los Angeles Ballet, Miami City Ballet and New York City Ballet.
Persons: George Balanchine, Balanchine Organizations: School of American Ballet, New York City Ballet, Lincoln Center, Los Angeles Ballet, Miami City Ballet Locations: New York City, United States, New, Lincoln
Cord-cutters rejoice: Normally, watching an awards show involves subscribing to a live TV service (or remembering which of your email addresses you haven’t already used for a free trial). But on Saturday, for the first time, Netflix will be streaming the annual Screen Actors Guild Awards, potentially bringing them to a much wider audience. The 15 awards, which are voted on by actors and other performers who belong to the SAG-AFTRA union, honor the best film and television performances from the past year. They can be a bellwether for the Oscars, happening this year on March 10. (Since 1996, 83 of the 112 stars and films that won Oscars for best picture or acting first won a SAG Award.)
Persons: , — “ Oppenheimer, ” Christopher Nolan’s, “ Barbie, Greta Gerwig’s Organizations: Netflix, SAG, Mattel
How Sofía Vergara Created Her Tony Soprano Role
  + stars: | 2024-01-24 | by ( Sarah Bahr | ) www.nytimes.com   time to read: +1 min
When Sofía Vergara invited the “Narcos” showrunner Eric Newman to her home in Los Angeles in 2015 to pitch a TV show about the Colombian drug lord Griselda Blanco, she’d done her research. “I watched the ‘Cocaine Cowboys’ documentary in 2006, and I was like, ‘Wow, this character has so many layers,’” Vergara, 51, said of Blanco, the kingpin who was suspected of being involved in more than 200 murders before being shot dead in her hometown, Medellín, in 2012 at age 69. The facts of Blanco’s life — the murders, the kidnappings, the tense backroom meetings with drug bosses — hardly needed embellishment for TV. But what had so hooked Vergara, she said, was the idea that “this innocuous-looking woman was raising four kids while building this insane, brutal empire.”She knew it would be a tougher sell to persuade people that after a little over half a decade portraying the feisty, fun-loving mother Gloria Delgado-Pritchett on the ABC sitcom “Modern Family,” Vergara was the right person to play the cutthroat Blanco.
Persons: Sofía Vergara, Eric Newman, Griselda Blanco, she’d, , ” Vergara, Blanco, , Vergara, Gloria Delgado, Pritchett Organizations: Cocaine Cowboys, ABC Locations: Los Angeles, Colombian, Medellín
Joe Locke was so moved when he saw “Next to Normal” at the Donmar Warehouse in London last fall that he called his agent with a request. “I was like, ‘I want to do a musical so bad,’” said Locke, 20, who for two seasons has played the sensitive teenager Charlie Spring in Netflix’s L.G.B.T.Q. coming-of-age drama “Heartstopper.”Soon after, his agent said he’d gotten an email from the casting team of Broadway’s “Sweeney Todd,” and the show was looking for a new Tobias Ragg, an urchin taken in by the scheming pie-maker, Mrs. Lovett. “The easiest way to play him is that he’s a bit simple — he’s not a full egg, as the Irish would say,” Locke said in a phone conversation in early January from his Manhattan apartment, before one of his first rehearsals. “But I think he’s a very street-smart character who’s survived in a world where people like him shouldn’t survive.”
Persons: Joe Locke, , ’ ”, Locke, Charlie Spring, , he’d, Broadway’s “ Sweeney Todd, Tobias Ragg, Lovett, ” Locke Organizations: Donmar Locations: London, Netflix’s L.G.B.T.Q, Manhattan
“Oh, baby, give me one more chance,” sang Corey J, a former Little Michael in the Broadway musical “MJ.” Dressed in a black rimmed hat and a black turtleneck, jacket and pants, he slipped through the explosion of joy that is the chord progression of the Jackson 5 song “I Want You Back.”He had performed the song hundreds of times in the Broadway show, a biographical Michael Jackson jukebox musical, at the Neil Simon Theater. But on this particular afternoon, he was on a much smaller stage: an Upper East Side senior center, where about 50 residents seated in floral chairs clapped along to the beat.
Persons: , Corey J, Little Michael, Jackson, Michael Jackson, Neil Simon Organizations: Broadway, East
“I really want to be friends with a whale,” Mikey Day, the “Saturday Night Live” cast member, said this week as he stood inside the American Museum of Natural History and discussed his favorite displays. “They just look so magical.”“Sorry, it’s Thursday,” he continued. “I just came from work, and my brain is fried.”In keeping with a longstanding tradition, members of the cast of “Saturday Night Live,” deep in preparations for their upcoming show, put on tuxedos and feathery gowns to join benefactors of the American Museum of Natural History for the institution’s largest annual fund-raiser, held at the museum in Manhattan. “It’s always a nice cast bonding moment,” the “S.N.L.” cast member Bowen Yang said on a red carpet near the large dinosaur models in the Theodore Roosevelt Rotunda. “It’s like a perfect little reception for the new people.”The gala was chaired by Lorne Michaels, the creator and executive producer of “S.N.L.”; his wife, Alice Barry; the writer and actress, Tina Fey, who was once the show’s head writer; and her husband, the composer Jeff Richmond.
Persons: , ” Mikey Day, , “ It’s, Bowen Yang, Theodore Roosevelt Rotunda, Lorne Michaels, Alice Barry, Tina Fey, Jeff Richmond Organizations: American Museum of Locations: Manhattan
Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together. In August, Julia Jacobs visited a Mediterranean-style mansion in Agoura Hills, Calif., the backdrop of “The Golden Bachelor.” The show is a spinoff of the popular “Bachelor” reality TV franchise, with a surprising twist: Participants are at least 60 years old. In the show’s premiere on Sept. 28, viewers met Gerry Turner (pronounced Gary), a 72-year-old widowed retiree from Indiana looking for romance, and nearly two dozen women hoping to court him on national television. Their relationships unfold on-air every Thursday. Audiences seem to be loving it: The series premiere was the most watched debut for a “Bachelor” franchise season since 2021 and the most watched of any “Bachelor” premiere on the streaming platform Hulu.
Persons: Julia Jacobs, , Jacobs, Gerry Turner, Gary Organizations: The New York Times, Hulu Locations: Agoura Hills, Calif, Indiana
The actress Ali Stroker never thought she would write a book. “Growing up, I didn’t like reading,” said Stroker, who in 2019 became the first performer who uses a wheelchair to win a Tony Award. “Books didn’t have any characters I related to.”But when Stacy Davidowitz, the author of the middle-grade series Camp Rolling Hills, asked to interview her because a character she was working on had a disability and worked in theater, Stroker had an idea: What if they wrote a story together? “That’s what I always tell anybody who wants to do something they’re not sure they know how to do: Find somebody who does and collaborate with them,” Stroker, 36, who lives in Westchester County, said in a phone interview on the way to a rehearsal in Manhattan. Their partnership led to “The Chance to Fly,” a middle-grade novel published in 2021, and a sequel out this month, “Cut Loose!”
Persons: Ali Stroker, , Stroker, Stacy Davidowitz, ” Stroker Organizations: Rolling Hills Locations: Westchester County, Manhattan
Mollie Kyle was a single woman from a wealthy Osage family, which made her a target. First, in 1918, a sister, Minnie Smith, died of what doctors called a “peculiar wasting illness” (probably poisoning). With each death, Mollie — and therefore Ernest — inherited additional headrights. The Osage Tribal Council suspected Hale early on, but it couldn’t get anyone to testify against him: Hale had bribed or threatened many witnesses into silence. (It would later be renamed the Federal Bureau of Investigation.)
Persons: Mollie Burkhart, Mollie Kyle, Ernest Burkhart, William Hale, Mollie’s, Minnie Smith, Anna Brown, Hale, Lizzie Q, Rita Smith, Mollie —, Ernest —, J, Edgar Hoover, , Tom White, Jesse Plemons Organizations: Osage Tribal, Investigation, Federal Bureau of Investigation Locations: Osage
5Esther HicksWhen I went through cancer 19 years ago, it was a big wake-up call about health and life. 6My Gibson Chuck Berry 1970s ES-355 Replica Murphy Lab GuitarI recently went down to Nashville with my band and my crew, and we all went to the Gibson Garage. I have to have it.” I think I’ll use it in the last few numbers of the show. It started 20 years ago when I was undergoing chemotherapy and didn’t have the energy to do anything else. I saw “Barbie” on the road recently at a dine-in theater in Lexington, Ky.
Persons: Esther Hicks, Gibson Chuck Berry, Taylor Swift, Barbie ” Organizations: Gibson Locations: Nashville, New York City, Washington Square, Chicago, Kansas City, Westlake, Lexington, Ky
Jay Alan Zimmerman, a deaf composer and musician, was used to positioning himself near the speakers at clubs, straining to feel the vibrations of songs he could not hear. So when he was invited to test a new technology, a backpack, known as a haptic suit, designed for him to experience music as vibrations on his skin — a kick drum to the ankles, a snare drum to the spine — he was excited. “With captioning and sign language interpretation, your brain is forced to be in more than one place at a time,” Mr. Zimmerman, who began losing his hearing in his early 20s, said in a recent video interview. “With a haptic system,” he continued, “it can go directly to your body at the exact same moment, and there’s real potential for you to actually feel music in your body.”
Persons: Jay Alan Zimmerman, ” Mr, Zimmerman,
Lea Salonga was feeling under the weather earlier this month. “I had to miss shows, which is unfortunate,” she said before one of her final performances in the Broadway disco musical “Here Lies Love.” “But I was still able to stand over a stove and cook this soup that had a lot of garlic and a lot of ginger,” she recalled during a phone interview from her Manhattan home. “It’s called tinola, which is a Filipino chicken soup. It’s what would be cooked every time I was sick at home.”That connection to the Philippines — where Salonga was born and raised — is one she also feels with “Here Lies Love,” which recounts the rise and fall of the country’s ousted leader and first lady, Ferdinand and Imelda Marcos. “Normally, if I’m watching a theater piece, I could just feel whatever feelings there are, or that the show wants me to feel,” said Salonga, 52, who on Saturday finishes her guest run as Aurora Aquino, the mother of Benigno Aquino Jr., Ferdinand’s political rival.
Persons: Lea Salonga, , , “ It’s, Salonga, Ferdinand, Imelda Marcos, Aurora Aquino, Benigno Aquino Jr, Kim Organizations: Aurora, Broadway Locations: Manhattan, Philippines,
72 Regional Theaters, One Shared Crisis
  + stars: | 2023-07-28 | by ( Sarah Bahr | More About Sarah Bahr | ) www.nytimes.com   time to read: +2 min
We need to pay more attention to nonprofit theaters and theaters outside New York — because there are real challenges in those places we need to be telling our readers about. Theaters that once saw themselves either as competitors or just strangers are much more interested in finding ways to help one another. There’s a coalition forming of theaters in Connecticut that is talking about whether the theaters might be able to share set-building functions. A lot of theaters are talking about the possibility of either more government assistance or for more foundations to take seriously the challenges facing this field. How will we see an effect on Broadway, which depends on nonprofit theaters to develop material and support artists?
Persons: , I’m, There’s Organizations: Repertory Theater, Barrington Stage Company, Studio Theater, Washington , D.C, Shakespeare Theater Company, D.C Locations: Boston, Washington ,, New York, Connecticut
She felt the theme would resonate in 2020, when the play was originally set to be staged before the pandemic forced a postponement — even more so now, amid a wave of anti-immigrant sentiment nationwide. “That’s possibly why it hasn’t been so successful in the past,” Schmidt, 48, said at a rehearsal on a sweltering Wednesday last month at the Brooklyn Academy of Music. Why did you want to do this play? ERICA SCHMIDT The play is shot through with desire; this need to really live life and to cling to what matters to you with both your hands until your fingers break, as Carol [an eccentric aristocrat character] says. It felt like an undeniable piece of work that one would need to throw oneself into.
Persons: Schmidt, , , ” Schmidt, Williams, Schmidt —, , ERICA SCHMIDT, Carol, Thornton Wilder, MAGGIE SIFF Organizations: Brooklyn Academy of Music Locations: London, United States, “ Our
3Doing My NailsI love when nail polish has a name that makes me laugh — Natural Connection, Sexy Divide. 4Horseback RidingI found a ranch in Colorado that I love to go to — it’s my happy place. There are dunes so it looks like Star Wars; it looks like you’re almost on the moon. It’s a little flower I used to pick with my uncle in the woods when I was little. I used to do that for my boyfriends, when I had boyfriends, a long time ago!
Persons: Quentin Tarantino, , Bill ”, It’s Locations: Riding, Colorado, Korea, Asia, Paris
Is It Freckle Juice? No, Freckle Tattoos.
  + stars: | 2023-07-04 | by ( Sarah Bahr | ) www.nytimes.com   time to read: +1 min
On a recent June morning in Brooklyn, Chloe Sarre nearly drifted into sleep on a bed in a cozy room as a makeup artist used a needle dipped in a semipermanent liquid pigment to carefully prick about 20 microscopic dots across her cheeks. Keila Cummings, the artist and a co-owner of Browstress, a cosmetic tattoo shop, was blotting off excess ink with a baby wipe as Ali Gatie’s “Used to You” floated through her 10th-floor studio in the neighborhood of Dumbo. “Oh, that doesn’t hurt at all,” said Ms. Sarre, a 35-year-old women’s fitness trainer who lives in Brooklyn. “Honestly, the eyebrow waxing is worse.”Before her appointment, Ms. Sarre had drawn specks on herself with an eyebrow pencil to wear the latest beauty trend that thousands of people across the country are trying out: freckle tattoos. Available in the shape of hearts, stars or even astrological signs, the melanin-filled skin marks, once a cause for schoolyard torment, have become the latest TikTok obsession.
Persons: Chloe Sarre, Keila Cummings, Ali Gatie’s, , Sarre Locations: Brooklyn
The most significant factor is that the PGA Tour was under increasing financial strain. Its supporters are insistent that they still control the game of golf, that they are the majority stakeholder in this endeavor. The PGA Tour is saying that it still has control over all the competition and play. Could you see some elements of LIV borrowed and integrated into the PGA Tour? The PGA Tour is trying to appeal to a younger audience and broaden the appeal of the game.
Persons: LIV, Jay Monahan, Yasir al, We’re Organizations: PGA, Tour Locations: Saudi
Tony voters struck a perfect equilibrium with the awards for scenic design. Beowulf Boritt won for the musical “New York, New York,” a big, buoyant throwback of a show whose aesthetic is decidedly classic Broadway. “There’s no video wall in ‘New York, New York,’” he assured the audience, which sounded glad to hear it. Recognizing such different kinds of excellence, the Tonys gracefully embraced both tradition and tradition-breaking. LAURA COLLINS-HUGHESSmall is beautiful
Persons: Tony, Beowulf Boritt, , , ’ ”, Tim Hatley, Andrzej Goulding, LAURA COLLINS, HUGHES Organizations: Locations: York , New York, ‘ New York , New York
At this point, Audra McDonald is part of Tony Awards history. McDonald previously won four featured actress Tonys in the play and musical categories for her roles in “Carousel” (1994), “Master Class” (1996), “Ragtime” (1998) and “A Raisin in the Sun” (2004). She is the only person to win in all four acting categories. Despite the cascade of awards, she told The New York Times in an interview last month that the recognition remained special. “It’s an honor,” she said while on a lunch break from working on yet another project.
Persons: Audra McDonald, Tony, who’s, , Suzanne Alexander, Adrienne Kennedy’s, McDonald, Chita Rivera, Julie Harris, Tonys, , Bess, Porgy, Bess ”, Billie Holiday Organizations: Sun, New York Times
It is almost certainly a fact that Richard Montañez did not invent Flamin’ Hot Cheetos. But the Times article wasn’t a death knell for the film — in fact, far from it. “We never set out to tell the history of the Cheeto,” Eva Longoria, who is making her feature directorial debut with “Flamin’ Hot,” told The Los Angeles Times in March, shortly before the film’s premiere at South by Southwest. “We are telling Richard Montañez’s story and we’re telling his truth.”So, the filmmakers forged ahead, and “Flamin’ Hot,” which bills itself as a “true story,” will begin streaming on Disney+ and Hulu on Friday. Here’s a guide to how the spicy Cheeto tale unraveled, what parts of it are actually true (there are some!)
Persons: Richard Montañez, , ” Eva Longoria, , Richard Montañez’s, Jesse Garcia, Roger Enrico, Tony Shalhoub, Montañez Organizations: Los Angeles Times, Southwest, Disney, Hulu, Frito, PepsiCo, Here’s Locations: California
What was it like working with Lin-Manuel Miranda on new songs for “The Little Mermaid”? I gave him a little Caribbean tune thinking he would lyricize that, and in fact, he rapped over it! In 1997, David Horn, now the executive producer of PBS’s “Great Performances” series, told The New York Times, “When there’s a Sondheim musical, everyone refers to it as a Sondheim musical. When it’s something Alan has done, they refer to it as a Disney musical.” Do you still mind your shows being known as Disney musicals? I sometimes would have a little resistance to simply being characterized as “Disney composer Alan Menken” because I already had a huge hit with “Little Shop of Horrors” before I went to Disney.
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